Fiction Native American & Aboriginal
Our Story
Aboriginal Voices on Canada's Past
- Publisher
- Doubleday Canada
- Initial publish date
- Sep 2005
- Category
- Native American & Aboriginal, Cultural Heritage, Anthologies (multiple authors)
-
Paperback / softback
- ISBN
- 9780385660761
- Publish Date
- Sep 2005
- List Price
- $21.00
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Description
Inspired by history, Our Story is a beautifully illustrated collection of original stories from some of Canada’s most celebrated Aboriginal writers.
Asked to explore seminal moments in Canadian history from an Aboriginal perspective, these ten acclaimed authors have travelled through our country’s past to discover the moments that shaped our nation and its people.
Drawing on their skills as gifted storytellers and the unique perspectives their heritage affords, the contributors to this collection offer wonderfully imaginative accounts of what it’s like to participate in history. From a tale of Viking raiders to a story set during the Oka crisis, the authors tackle a wide range of issues and events, taking us into the unknown, while also bringing the familiar into sharper focus.
Our Story brings together an impressive array of voices—Inuk, Cherokee, Ojibway, Cree, and Salish to name just a few—from across the country and across the spectrum of First Nations. These are the novelists, playwrights, journalists, activists, and artists whose work is both Aboriginal and uniquely Canadian.
Brought together to explore and articulate their peoples’ experience of our country’s shared history, these authors’ grace, insight, and humour help all Canadians understand the forces and experiences that have made us who we are.
Maria Campbell • Tantoo Cardinal • Tomson Highway • Drew Hayden Taylor • Basil Johnston • Thomas King • Brian Maracle • Lee Maracle • Jovette Marchessault • Rachel Qitsualik
About the authors
Thomas King, who is of Cherokee and Greek descent, is an award-winning novelist, short story writer, scriptwriter, and photographer. His first novel, Medicine River, won several awards, including the PEN/Josephine Miles Award and the Writers Guild of Alberta Award, and was shortlisted for the 1991 Commonwealth Writers' Prize. It was also made into a CBC television movie. Green Grass, Running Water, his second novel, was shortlisted for the 1993 Governor General's Award and won the 1994 Canadian Authors Award for fiction. His highly praised short story collection, One Good Story, That One, was a Canadian bestseller, and his collection of Massey Lectures, The Truth About Stories, won the 2003 Trillium Book Award. He has also written three acclaimed children's books: A Coyote Columbus Story, Coyote Sings to the Moon, and Coyote's New Suit. Thomas King lives in Guelph, Ontario, and is an Associate Professor of English (teaching Native literature and creative writing) at the University of Guelph.
Tantoo Cardinal's profile page
Tomson Highway was born near Maria Lake, Manitoba in 1951. His father, Joe, was a hunter, fisherman and sled-dog racer, and his family lived a nomadic lifestyle. With no access to books, television or radio, Highway’s parents would tell their children stories; thus began Highway’s life-long interest in the oral tradition of storytelling. When he was six, Highway was taken from his family and placed in residential school in The Pas; he subsequently went to high school in Winnipeg and then travelled to London to study at the University of Western Ontario, earning a music degree in 1975 and a Bachelor of Arts degree in 1976. Instead of becoming a professional concert musician as he had at one point contemplated, however, Highway decided instead to dedicate his life to the service of his people. Fluent in Cree, English and French, he was for six years the artistic director of Native Earth Performing Arts, the first and most enduring Native professional company in Canada which he also helped found. From 1975 to 1978 Highway worked as a cultural worker for the Native Peoples’ Resource Centre. He has worked for the Ontario Ministry of Citizenship and Culture and also for the Ontario Federation of Indian Friendship Centres as a program analyst. From 1983 to 1985 he worked as a freelance theatre artist before becoming the artistic director of the De-ba-jeh-mu-jig Theatre Company in 1986. He has been writer-in-residence at the University of Toronto, University of British Columbia, and Concordia University. Tomson Highway is widely recognized for his tremendous contribution to the development of Aboriginal theatre in both Canada and around the world. In 1994, he was inducted into the Order of Canada, the first Aboriginal writer to be so honoured.
Excerpt: Our Story: Aboriginal Voices on Canada's Past (contributions by Thomas King, Tantoo Cardinal & Tomson Highway)
Preface
The standard textbook history of Aboriginal peoples begins twelve millennia ago as the world was coming out of an Ice Age. The ancestors of Canada’s Aboriginal peoples crossed the Bering Strait from Siberia to North America. Moving steadily south and east, over the course of hundreds of generations, the descedants of this original group of explorers won for themselves a continent. In the path of their migration, up and down the face of North and South America, they created a quilt-work of civilizations, each with its own history and values. Over the millennia these nations rose, fell, and evolved in concert with the larger rhythms of nature.
Flash forward to the early 1500s when our conventional narrative gathers steam. Along the eastern shore of North America the first European explorers make their landfalls and experience the ‘first contact’ that gave Canada its name. The arc of history moves through the early wars of conquest to the establishment of the first permanent European settlements in the 16th and 17th centuries. To Canadians, the signposts in this historical journey are a series of familiar dates strung out in succession: Jacques Cartier landing at Chaleur Bay in 1534, Champlain’s voyage up the St. Lawrence in 1603, and the creation of the Hudson Bay Company in 1670.
Having witnessed the European migration to their land, Aboriginal peoples are moved figuratively to the sidelines of history. The standard history of Canada from the 17th century onward is the story of European colonial wars, the introduction and impact of Western technology and industry, and the deepening of a North American political culture based on the ideas of the Enlightenment. Increasingly strangers in their own lands, Aboriginal peoples come to be perceived, more and more, as an administrative challenge as opposed to a dynamic force in the unfolding of the country’s identity. The combined effects of the treaty and reserve systems, the failed Rebellions of 1885 and subsequent Indian Acts all conspire to render Canada’s Aboriginal peoples an historical anachronism in the eyes of the dominant culture. This sentiment, in various forms, has continued up to the present-day despite a decades-long revival of Aboriginal culture, industry, and government.
Even this most cursory look at the traditional narrative of the history of Aboriginal peoples confirms that we read their story through our systems of understanding. It is difficult, if not impossible, for one culture to capture the historical reality of another culture that it has displaced. As hard as non-Aboriginals might try to correct for biases, our history and traditions are different. European culture sees the passage of time as a chronology of events as opposed to cycle of being and becoming. It embraces scientific criteria to determine what is an historical fact and looks askance at myth and oral history. And ultimately, it stresses the very process of historical inquiry as a hallmark of civilization. All of these attitudes not only set Western culture apart from an Aboriginal world view, they determine the very way history is recorded, created, and conveyed to future generations.
This is not to say that Aboriginal and non-Aboriginal cultures are incapable of creating common understandings and mutual respect. What we need to work on is finding new ways – after more than four hundred years of living together – to hear each others’ stories anew, to step out of preconceived notions of not only what constitutes our history but how our history is constituted. Our Story is an important contribution to moving dialogue in this direction.
The nine works of fiction contained in this volume tell the story of Aboriginal peoples in Canada not as a string of facts laid bare in chronological order. Instead, each of the Aboriginal authors has chosen an historical event and through the act of storytelling, turned it into a work of fiction. In each of these fictionalized accounts we are exposed to the Aboriginal sense of place, the passage of time, and the complex relationship of myth and truth. The result is a new vantage point not just on how Aboriginals perceive their place in Canadian history but a different approach to recounting the past and making it come alive in the present.
As a fusion of Aboriginal and non-Aboriginal notions of storytelling and history, Our Story contains, at its heart, the basis for the two cultures not only to better understand and appreciate each other, but also to move forward together.
Rudyard Griffiths
Editorial Reviews
"Ingenious. . . . The concept works. . . brilliantly."
—Maclean’s
"Our Story is an impressive collection of original fiction. . . . Brian Maracle’s retelling of the Iroquois creation myth is . . . powerful and haunting. . . . Jovette Marchessault’s 'Moon of the Dancing Sons' is, simply, beautiful and heartrending, while Rachel Qitsualik’s 'Skraeling' is a narrative of the highest order. . . . Our Story bridges native and European narrative traditions with considerable force."
—Quill and Quire
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