This book length poem comprises three major interwoven threads: Ahli, an auto/biographical thread about my Lebanese heritage; Astura, a grim tale linking climate change and the oppression of women, and Ana, a reflection on identity, language, and writing. To tell a story of my mother, her sisters, and their mother; a story of traditions, gesture, ritual, transformation, and self, is to persist against the erasure of the nuanced and tenacious feminine histories that co-exist with our troubled present and its bland stereotypes.

Like a seed, a family story houses its ancestors, and the diversity—genetic and experiential—that equips us to thrive in a multitude of possible futures. Written in quatrains, called ruba’iyat in Arabic, from the word for “four”, each stanza of this poem is self-contained, yet converses with adjacent stanzas to build a narrative. The repetition of phrases across stanzas, and the studding of the text with Arabic words, combine to create a layered, incantatory quality evoking the complexity of Arabic oral poetry.

Basma Kavanagh is a poet, visual artist, and letterpress printer who lives and works in Nova Scotia, in Mi’kma’ki. She produces artist's books under the imprint Rabbit Square Books. She has published two collections of poetry, Distillo (Gaspereau, 2012), and Niche (Frontenac, 2015), which won the 2016 Lansdowne Prize for Poetry, and was a finalist for the 2019 NS Masterworks Arts Award. The book-length poem, Ruba’iyat for the Time of Apricots (Frontenac, 2018), was shortlisted for the 2019 J.M. Abraham Poetry award and won the Book Publishers Association of Alberta’s Robert Kroetsch Award for Poetry Book of the Year. Www.basmakavanagh.ca

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• Winner, BPAA Robert Kroetsch Award for Poetry Winner
• Long-listed, Nelson Ball Prize