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The Oxford Shakespeare: Love's Labour's Lost

by (author) William Shakespeare

edited by G.R. Hibbard

Publisher
Oxford University Press
Initial publish date
Aug 2008
Category
General
  • Paperback / softback

    ISBN
    9780199536818
    Publish Date
    Aug 2008
    List Price
    $12.50

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Description

Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s, after three hundred years of neglect by the theatre and undervaluation and misuse by critics. The Introduction to this new edition pays particular attention to this process of rehabilitation. The text, based on the quarto of 1598 and taking full account of the extensive scholarly study that text has received over recent years, rests on the hypothesis that the quarto goes back, probably by way of 'lost' quarto, to an authorial manuscript representing the play in a state prior to 'fair copy'. If this is so, the quarto takes on a special significance because through it we can watch Shakespeare in the act of composition, improvising, changing his mind, and revising as his play develops under his hand. The editor offers a number of new readings of difficult and disputed passages, together with some suggestions about the way in which the play's notorious 'tangles' may have come about. A detailed commentary offers full and helpful guidance to the play's scintillating language.

About the authors

Contributor Notes

The late George Hibbard was Emeritus Professor of English at the University of Waterloo, Ontario, Canada.

Editorial Reviews

'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.' The Oxford Times

'This Oxford text of Love's Labour's Lost is lucidly informative, scrupulous but concise,. and in general a model of restrained and level-headed editing.' Cedric Watts, University of Sussex, Review of English Studies, Vol. 43, 8/92

'Hibbard lucidly expounds the intricately patterned structure of his play ... and he dispatches the largely distracting question of its 'topicality' with heartening promptness.' English Studies, Volume 72, Number 6, December 1991

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